Fauvist Self Portrait Paintings

During this lesson, Art II students study the Fauves from both an Art Historical perspective and their studio practice! This project culminates in a large scale self portrait, painted in the style of the Fauves.

The Fauvist Artists used color in a vehemently experimental way that resulted in ultimate risk taking, and extreme expression of emotion. Students will be drawing self portraits in a mirror, then using Fauvist theories, and color schemes inspired by Fauvist painters to paint their final portrait with Acrylic Paint. 

Fine Arts Goals/Objectives:

1.  Learn and recall the history of Fauvism and the philosophy of the artists working in that style. 

2.  Develop a self-portrait using the techniques and emotional color theory of the Fauves.

3.  Use warm, cool and neutral colors to create a self-portrait that portrays the artist’s personality.

4.  be able to draw a self-portrait from direct observation using accurate proportion.

5.  Learn the correct proportions of the head and face.

6.  Develop skill using acrylic paint in a loose painting style like the Fauvist painters.

7.  Critique personal work and the work of others relative to project requirements and success as a work of art, and make adjustments accordingly.



Nat’l Core Arts Standards:

VA:Cr1.2.HSII

Choose from a range of materials and methods of traditional and contemporary artistic practices to plan works of art and design.

VA:Cr2.1.HSII

Through experimentation, practice, and persistence, demonstrate acquisition of skills and knowledge in a chosen art form.

VA:Cr3.1.HSIII

Reflect on, re-engage, revise, and refine works of art or design considering relevant traditional and contemporary criteria as well as personal artistic vision.

VA:Pr.4.1.HSII

Analyze, select, and critique personal artwork for a collection or portfolio presentation.

VA:Re7.2.HSIII

Determine the commonalities within a group of artists or visual images attributed to a particular type of art, timeframe, or culture

VA:Cn11.1.HSIII

Appraise the impact of an artist or a

group of artists on the beliefs, values, and behaviors of a society.


ELA Standards:

1. Read/Examine closely to determine what the text/image/score/performance says explicitly and to make logical inferences from it; cite specific contextual evidence when writing or speaking to support conclusions drawn from the piece.

4. Interpret words, phrases or elements as they are used in a text/image/score/performance, including determining technical, connotative, and figurative meanings, and analyze how specific word/elemental choices shape meaning or tone.

6. Assess how point of view or purpose shapes the content and style of a text/image/score/performance.

8. Delineate and evaluate the argument, specific claims or expressed concept in a text/image/score/performance, including the validity of the reasoning as well as the relevance and sufficiency of the evidence.



Vocabulary Acquisition: 

  • Fauvism - a style of painting with vivid expressionistic and non naturalistic use of color that flourished in Paris in 1905

  • Tint - a lighter version of a color created by adding white to the original pigment

  • Shade - a darker version of a color created by adding black to the original pigment 

  • Hue - name of color

  • Intensity - brightness/dullness of a hue–complements

  • Value - lightness or darkness of a hue–add white or black

  • Monochromatic - one color plus its tints and shades

  • Complementary - hues that are opposite one another on the color wheel. 

  • Analogous - 3-4 hues next to one another on the color wheel. 

  • Triadic - hues that are equidistant from one another on the color wheel, they form a triangle. 

  • Neutral - addition of a small amount of a hue’s complement, this lowers its intensity and moves it to a neutral tone–brown.

  • Warm Colors - reds, oranges, and yellows. Warm colors tend to advance towards the eye

  • Cool Colors - blues, violets, greens. Cool colors tend to recede into the space 


Key Artistic Concepts: (SWBAT)

  • Students will be able to speak or write about the Fauvist painters 

  • Students will be able to blend acrylic paint to create the desired color 

  • Students will be able to layer paint appropriately to create a visual blend

  • Students will be able to draw themselves from a live mirror reference

  • Students will be able to complete a large scale self portrait in the Fauvist style


Artmaking Materials Needed: 

  • Sketchbook

  • 2H Pencils

  • 18”x24” Bristol Board

  • Gesso

  • Mirrors

  • Acrylic Paint

  • Paint Brushes

  • Water Containers 

  • Aprons


Contemporary/Historical/Multicultural/Popular exemplars:

How to Draw the Face

  • Fauvist Painters 

  • Scholastic Magazine about Fauvists–Scholastic Booklet scan

  • Henry Matisse

  • Andre Derain 

  • Maurice de Vlamink

Supporting Materials

Full Lesson Plan with Supporting Materials Linked

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Giacometti WirePlaster Sculptures

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Adinkra Printmaking (Linocut)